Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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MARTORELL, Bernat (Bernardo)
Two Scenes from the Legend of ST.George The Flagellation The Saint Dragged through the City (mk05)
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ID: 20335

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MARTORELL, Bernat (Bernardo) Two Scenes from the Legend of ST.George The Flagellation The Saint Dragged through the City (mk05)


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MARTORELL, Bernat (Bernardo)

Spanish Early Renaissance Painter, ca.1400-1452  Related Paintings of MARTORELL, Bernat (Bernardo) :. | The Nativity (detail) dh | The Nativity | The Decapitation of St.George | Two Scenes from the Legend of ST.George The Flagellation The Saint Dragged through the City (mk05) | Saint George Killing the Dragon |
Related Artists:
Louis Aston Knight
American Painter, 1873-1948
Blanchet, Louis-Gabriel
French Painter, 1705-1772 French painter, active in Rome. He won second place in the Prix de Rome competition in 1727 and thereafter settled in Rome, where he enjoyed the patronage of Nicolas Vleughels, Director of the Acad?mie de France, and the Duc de Saint-Aignan (1684-1776), who at that time was French Ambassador to the Holy See. In 1752 Blanchet painted the Vision of Constantine (Paris, Louvre), a copy of Giulio Romano's fresco in the Sala di Costantino in the Vatican. He was, however, principally a portrait painter. His portrait of Tolozan de Montfort (1756; Lyon, Mus. B.-A.) is a fine example of his elegant, rather nervous style and his distinctive use of colour. In the same year Blanchet executed a portrait of the contemporary painter Johann Mandelberg (1730-86; Copenhagen, Kon. Dan. Kstakad.). Other surviving works of his include St Paul (signed and dated 1757; Avignon, Mus. Calvet) and his full-length portrait of P. P. Lesueur and E. Jacquier (1772; Nantes, Mus. B.-A.).
Frederick Walker,ARA,RWS
1840-1875 English painter and illustrator. He acquired his training in drawing and painting through study in the British Museum (where he copied heavily from the Antique), a short period spent in an architect's office, life classes at Leigh's school, a studentship at the Royal Academy and three years' employment as a draughtsman on wood with the commercial engraver Josiah Wood Whymper (1813-1903).






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